FAQs
Frequently Asked Questions
Voicelore is a nonprofit in development, working toward a world where every voice is valued and every story is heard—through the shared language of music. As we build our board of directors and prepare to file for tax-exempt status, we are laying the foundation for free, trauma-informed, neurodiversity-affirming offerings that support those impacted by gender-based violence. Our work includes expressive music-based programs, peer-led community spaces, survivor-driven advocacy, and accessible resources designed to inform, support, and inspire. Whether through quiet reflection, creative connection, or public truth-telling, Voicelore exists to protect voice in all its forms—and to ensure that what has been silenced is heard again.
Understanding Voicelore
Voicelore is a developing nonprofit organization that offers free, music-based programs and peer-led advocacy for survivors of gender-based violence. We serve individuals ages 18 and older and welcome survivors of all genders, neurotypes, communication styles, and cultural backgrounds. Our approach is trauma-informed, neurodiversity-affirming, and rooted in lived experience.
We support survivors of sexual assault, sexual harassment, domestic violence, dating violence, and stalking—including those who are still questioning or unraveling what happened to them. Many people struggle to name their experiences, especially when harm involves coercion, blurred boundaries, or minimized violence. If you are unsure whether your story “counts,” you are not alone—and you are still welcome here. We trust you to know whether a space like this could support your healing.
While our core programs are designed for survivors, allies will also be invited to contribute to Voicelore’s public-facing projects—such as advocacy campaigns, storytelling, and creative collaborations. Survivor leadership will remain at the heart of all we do.
Voicelore is currently assembling its board of directors and preparing to formalize its structure in the state of Nevada. We plan to apply for 501(c)(3) tax-exempt status later this year. Most of our programs will be held virtually and offered at no cost to participants. This work will be made possible through donations and in-kind contributions from partners such as Once Upon a Voice. Together, we are building something gentle, lasting, and true—a place where stories can be reclaimed, and voices can rise.
Unlike many traditional programs, Voicelore does not provide therapy, case management, or legal advocacy. Instead, we create expressive, music-centered spaces where survivors can process experience, build community, and share their stories in ways that feel safe and authentic.
Our approach is peer-led, not clinical. Music is never used as treatment or training, but as a vessel for expression—through sound, silence, and storytelling. Survivors are not asked to perform or explain; they are invited to be present, to create, and to be heard.
This vision comes to life across four branches: The Reclaiming, a yearlong support group; The Murmuring, an ongoing community space; The Resounding, survivor-led storytelling and advocacy; and The Knowing, a resource hub shaped by lived experience. Together, these programs reflect our commitment to accessibility, cultural humility, and the belief that healing and resistance can begin with a single protected voice—and grow from there.
Music allows survivors to express what words alone often cannot. It creates space for truth—especially when that truth is complex, painful, or hard to name. At Voicelore, music is not only a tool for personal expression but a medium for advocacy, storytelling, and cultural disruption. In some branches of our work, especially The Resounding, survivors may choose to refine their music for public sharing. Allies may also create works in support of survivor voices or campaigns. But whether music is raw or polished, private or performed, its purpose remains the same: to carry the truth of survivor experience where silence once stood.
Research supports what many survivors already know intuitively—that music can help us process, remember, and reconnect. Recent studies have shown that musical engagement can support emotional regulation (Moore, 2020), promote post-traumatic growth (Ma et al., 2024), and strengthen social identity and connection (Williams et al., 2018). Music has also been found to activate multiple brain regions simultaneously, including those tied to memory, motor function, and emotional processing (Levitin, 2007), helping individuals access stored experiences and explore them in safe, embodied ways.
While Voicelore will not offer music therapy and will not be supervised by board-certified music therapists (MT-BCs), we deeply respect the field and the life-changing support it provides. The American Music Therapy Association defines music therapy as the clinical and evidence-based use of music interventions to accomplish individualized goals within a therapeutic relationship, guided by a credentialed professional. That is not what we offer.
Instead, our work is community-based, survivor-led, and rooted in lived experience. We never assess, diagnose, or treat. What we do is create space—for creative agency, emotional release, and collective witnessing through music. Not as a clinical tool, but as a human one. For some survivors, clinical therapy is essential. For others, peer expression and public reclamation are just as meaningful—and often more accessible. These are not opposing paths. They are different ways to heal, and both deserve support.
Our sources on music, emotion, and healing
Music and emotion regulation: A meta-analysis.
This study reviews how musical engagement can support emotional regulation across diverse populations.
Ma, Y., Meng-Di, Y., & Zhoung, B. (2024).
A systematic review of music therapy for post-traumatic stress disorder.
This review outlines how music therapy can promote post-traumatic growth and emotional recovery in trauma survivors.
Williams, E., Dingle, G. A., & Clift, S. (2018).
A systematic review of mental health and well-being outcomes of group singing for adults with a mental health condition.
This article presents evidence that participatory music-making can strengthen social identity and community connection.
This Is Your Brain on Music: The Science of a Human Obsession.
This popular science book explains how music activates multiple areas of the brain simultaneously—including those involved in memory, motor function, and emotional processing.
Most Voicelore programs are held online, allowing survivors to participate from wherever they are. This includes our weekly support sessions, community gatherings, and resource offerings. Virtual access helps us reach those who may be geographically isolated, overstimulated by in-person environments, or unable to travel due to cost, caregiving responsibilities, disability, or health needs.
Some of our advocacy work—including K–12 school presentations, college campus visits, and outreach within the music industry—may take place in-person, depending on location, need, and capacity. As the organization grows, we also hope to offer occasional in-person gatherings across all four program branches—creating opportunities for survivors to build connection not only through screens, but through shared space and collective presence. We are working toward a flexible, hybrid model that allows us to support survivors everywhere while nurturing community wherever it forms. Whether online or in person, participation will be designed to be inclusive, adaptable, and grounded in care.
No. Voicelore does not provide music therapy or music education. Both are valuable in their own right, but our role is different.
Music therapy is a clinical service provided by board-certified music therapists (MT-BCs). It uses assessment, treatment planning, and evidence-based interventions to meet individualized health goals. Some survivors benefit from this form of professional care, and we honor the therapists who provide it.
Music education is instructional. It focuses on teaching skills—such as vocal technique, piano playing, or music production—and is often oriented toward accuracy, progression, and performance. For those who wish to study music as a craft, education offers important opportunities for growth.
Voicelore is neither. Our programs are expressive and peer-guided, designed not to treat or to teach, but to open space for survivors to use music as a tool for reflection, storytelling, and connection. Activities are flexible and optional—whether through singing, writing, piano, production, or silence—and are never evaluated, corrected, or graded. The purpose is not improvement, but expression.
At times, when survivors (or allies) choose to share their work publicly through The Resounding, we may collaborate with Once Upon a Voice to help prepare music for outside audiences such as schools, colleges, or industry spaces. This collaboration may involve refining lyrics, adjusting arrangements, or improving recording quality. It is always consent-based and respectful of the creator’s intent, and it does not transform Voicelore into music education. It simply ensures that survivor stories are carried into the world with clarity and care.
Particpation and Facillitation
Voicelore programs are facilitated by Marcellé—a survivor, artist, and neurodivergent advocate. She brings a trauma-informed, neurodiversity-affirming perspective to every session. As someone who is autistic and ADHD, she leads with lived experience, sensory awareness, and a deep respect for voice in all its forms. Her background includes training in music therapy, speech-language pathology, and applied behavior analysis, as well as work supporting NICU babies, Deaf and hard-of-hearing children, and trauma-affected youth. She is also the founder of Once Upon a Voice, a neurodivergent-friendly music studio for singers and songwriters across all access needs. At Voicelore, she guides the space with care and creativity, inviting survivors to express themselves without pressure, critique, or performance.
Marcellé currently volunteers her time to lead the program. As the organization grows, Voicelore may use donations to provide stipends to her and to future facilitators or support staff, ensuring the work remains sustainable, high-quality, and rooted in lived experience.
Voicelore welcomes survivors ages 18 and older, across all genders, neurotypes, communication styles, and cultural backgrounds. While most of our programs are designed exclusively for survivors, some advocacy and informative efforts—such as The Resounding and The Knowing—may also include allies, with survivor leadership guiding all aspects of the work.
Voicelore is committed to accessibility for all survivors and allies—whether or not they identify as disabled, neurodivergent, or part of any specific community. Our programs are designed to support a wide range of access needs, including those related to augmentative and alternative communication (AAC) use, sensory sensitivity, and alternative ways of participating. This includes individuals who communicate without speech, need flexible pacing, prefer reduced visual or auditory input, or benefit from having multiple ways to engage.
Participation in our core support spaces—such as The Reclaiming and The Murmuring—is open to survivors only. In public-facing efforts that may include allies, such as The Resounding and The Knowing, we welcome all who resonate with our approach and do our best to meet each person’s access needs with care and respect. While all communication styles are honored, participants in any Voicelore offering are asked to engage in ways that can be understood by facilitators and peers—whether through speech, AAC device, interpreted sign language, typed text, or another accessible method—so that connection, presence, and mutual support remain possible.
You do not need any musical background to take part in Voicelore’s programs. Survivors are welcome exactly as they are—with no expectation to perform, impress, or “get it right.”
In our support programs, such as The Reclaiming and The Murmuring, music is used as a tool for expression, not for therapy, instruction, or performance. Each session of The Reclaiming blends guided reflection, music activities, and group conversation. Survivors choose how to engage—through breath, humming, singing, speaking lyrics aloud, shaping melodies, writing lines, playing piano, or experimenting with sound through music production. These options create space for expression with or without words and can be especially meaningful for survivors who are nonspeaking, use augmentative and alternative communication (AAC), or connect most strongly through rhythm, texture, or sonic layering. Participation is always flexible, allowing survivors to create, observe, or simply be present—whatever feels most accessible.
In our advocacy program, The Resounding, survivors and allies may choose to share music-based stories with public audiences—such as K–12 schools, college campuses, or the music industry. While participation is always optional, songs and performances must meet a standard of clarity, cohesion, and emotional safety to ensure the story is communicated with care. This preparation is not music education or therapy; it is a supportive process that may involve refining lyrics, shaping melodies, adjusting arrangements, or preparing materials such as recordings, cover art, or outreach language. When needed, Voicelore collaborates with Once Upon a Voice to help polish these works, always with consent and in ways that honor the creator’s message and artistic intent.
The Knowing takes a different form. This branch is open to both survivors and allies seeking to better understand gender-based violence. While participants will not be asked to create music, many resources highlight how music can support healing, expression, identity, and cultural change. The Knowing is designed for quiet reflection and accessible learning—not performance, education, or clinical care.
No matter the program, music at Voicelore is never about skill, show, or treatment. It is a companion—offering voice, connection, and presence in whatever form feels true.
Voicelore primarily uses styles like pop, R&B, hip hop, rock, country, and folk music across all programs—including peer support and survivor advocacy. These genres reflect the tone of our offerings: expressive, contemporary, and rooted in personal storytelling. Music is selected with care to reflect the identities, preferences, and emotional needs of those we serve and amplify.
We are mindful of religious beliefs, cultural traditions, personal boundaries, and musical taste. Survivors are never asked to engage with music that feels emotionally or spiritually misaligned. You are always welcome to suggest songs that resonate with you—or to explore genres that feel more personally or culturally meaningful.
While these styles shape the general sound of Voicelore’s programs, we also make space for music that falls outside those genres, especially when it holds cultural, spiritual, or personal significance. This may include traditional songs, classical works, or other pieces that help you tell your story in an authentic way.
Whether music is used in a private session or a public performance, it is always chosen with intention and consent—reflecting the voices, values, and lived experiences of our community. In public-facing efforts that include allies, such as The Resounding or The Knowing, survivor leadership continues to guide the tone, purpose, and presentation of all music shared.
Our Four Programs
The Reclaiming is a yearlong, virtual circle for all survivors ages 18 and older—of every gender, background, and ability—who have experienced sexual assault or harassment, domestic or dating violence, or stalking. The first cohort begins on Sunday, January 11, 2026, and meets weekly via Zoom, except during Once Upon a Voice masterclasses or scheduled breaks. Each 90-minute session invites reflection, conversation, and music-centered expression. Singing, songwriting, piano, and music production will weave throughout—not as music therapy or lessons, but as creative ways to voice what words alone cannot.
This circle is peer-led, trauma-informed, and neurodiversity-affirming, created to welcome every survivor—whether neurodivergent or neurotypical, disabled or nondisabled, new to music or experienced in it. The Reclaiming may include survivors of different gender identities, depending on who applies. Survivors who prefer to engage within a specific affinity group may choose to wait for future offerings.
All sessions will take place in a private, unrecorded Zoom room to protect safety and confidentiality. Survivors will be encouraged to attend consistently but will never be penalized for absences due to health, overwhelm, or personal needs. All participants will need a computer and a reliable internet connection; microphones, headphones, or MIDI keyboards are encouraged but not required. Live captions are available for all sessions, and our peer facilitator will support any additional accessibility needs that arise.
What to expect:
Starting on January 11, 2026, The Reclaiming will meet Sundays from 3:30–5:00 PM PST (5:30–7:00 PM CST; 6:30–8:00 PM EST).
The group will remain small enough for every survivor’s voice to be heard, ensuring trust and connection within the circle.
The program will accept members through rolling admission, so new survivors may join as space allows. Survivors accepted mid-year will receive orientation materials before attending their first session.
If not selected immediately, applicants may choose to be placed on a waitlist for future openings.
Survivors who leave early are always welcome to reapply when ready.
Important details:
You can apply to join this peer-led support group at voicelore.org/apply.
The Reclaiming is not any form of therapy or clinical care. It is a creative refuge where survivors connect, reflect, and heal through sound, story, and shared artistry.
Participants are encouraged to maintain or seek outside supports as needed.
Because this is a peer-led space, applicants should feel ready to engage in group settings where emotions may arise and self-care is essential.
Confidentiality is sacred. Survivors agree to keep what is shared within the circle and are never pressured to speak before they are ready.
Accepted survivors will receive a welcome packet, then review and sign a participant agreement (covering confidentiality, consent, and community care).
The Reclaiming belongs to every survivor who has ever been silenced, dismissed, or disbelieved—and to those still finding the words for what was lost. In this space, your story hums beneath the music, and your voice is never too quiet to be heard.
The Murmuring is Voicelore’s private community space, hosted on Discord. It welcomes survivors who are participating in a program, considering joining, or returning after completing The Reclaiming. Within this quiet digital forest, survivors are able to attend seasonal gatherings, join peer-led creative circles, or remain gently connected between events.
Music is present in simple, supportive ways—through shared playlists, creative prompts, and moments of collaboration. This is not a therapeutic support group, but a flexible, peer-centered space where survivors can feel held in community. Whether you arrive to share, witness, or simply listen, The Murmuring offers a place to belong. You can apply to join us at https://discord.gg/RWQT62dEEW.
The Resounding is Voicelore’s public storytelling branch—and every act of advocacy here is rooted in music. Survivors who choose to participate may share cover songs or original works shaped by their experiences. Allies may also contribute music in support of survivor-led campaigns or community change. These offerings will be featured through curated showcases, digital releases, or public presentations. For those who feel ready, The Resounding will offer a powerful way to transform personal expression into public truth—turning sound into story, and story into impact.
Because this program is designed for external audiences—including K–12 schools, college campuses, and the music industry—shared works will be carefully shaped for the setting. Participants will be gently guided through this process in a spirit of care and collaboration. Final recordings or performances may involve refining lyrics, adjusting vocal delivery, or shaping structure—not to erase a story, but to ensure it can travel clearly, safely, and with strength intact.
To honor Voicelore’s non-instructional model, all musical preparation will be offered through Once Upon a Voice—a trauma-informed, neurodiversity-affirming music studio that partners with us to provide technical support when needed. Creators will always remain the sole owners of their work. Once Upon a Voice will simply help shape it for the stage, the screen, or the sound system.
The Resounding is not a therapeutic disclosure platform. It is a survivor-led movement for cultural change—amplified through music, shaped with care, and guided by the belief that public silence should never be the price of personal safety.
The Knowing is Voicelore’s informative branch, carrying forward the legacy of stopsexualassault.org. It was originally created by two of our founders, Marcellé and her mother, Lynette, after Marcellé was sexually assaulted in college. During their search for support, they encountered a wide range of resources—some helpful, some confusing, and many scattered across disconnected systems. Wanting to make these tools easier for others to find, they gathered them into one place. That project became stopsexualassault.org—an online hub for survivors of sexual assault, sexual harassment, and related harm, including domestic violence, dating violence, and stalking. Today, that work continues and expands through The Knowing.
This branch offers trauma-informed, neurodiversity-affirming resources for allies, educators, clinicians, and survivors themselves. Topics include how to recognize gender-based violence in its many forms, how often it occurs, and why so many survivors are doubted, blamed, or ignored. The Knowing also provides guidance on what to do after an assault, how to support someone who discloses, and how to navigate systems like law enforcement, healthcare, or Title IX.
Although The Knowing began as a response to sexual assault, it does not treat that experience as more significant than others. Every form of gender-based violence addressed here is equally recognized as real, serious, and worthy of understanding and care.
One of its core goals is to dismantle the myths and silences that surround gender-based violence in the world. It helps visitors recognize patterns that are often minimized or misunderstood—and understand that what many survivors endure is more common, more valid, and more worthy of voice than they may have been led to believe.
While The Knowing is not a substitute for medical or legal counsel, it is designed to meet people where they are—offering plain-language, emotionally grounded content shaped by lived experience. Many of its resources also reflect Voicelore’s use of music as a source of clarity and connection, exploring how sound, voice, and creative expression can support healing, reclaim identity, and challenge cultural silence. We are deeply grateful to the many survivors, professionals, and advocates whose knowledge has become a kind of echo—reaching farther, helping others find their way.
The Reclaiming provides structured, weekly support where music becomes a tool for reflection and creative expression. The Murmuring offers a more flexible community space, where connection continues between formal sessions and music is present in quiet, optional ways. The Resounding invites survivors and allies to share music-based stories with the world—through curated performances, digital releases, and dialogue that drives cultural change. Survivor voices remain at the center of this work, shaping its tone, direction, and impact. The Knowing offers survivor-informed resources that help visitors understand gender-based violence and explore the many ways music can support healing, identity, and advocacy.
Music is the root system beneath them all—steady and unseen, grounding survivors in their own voice and helping each space grow in its own direction. In The Reclaiming, it will help process emotion. In The Murmuring, it may offer comfort or connection. In The Resounding, it will become a form of public truth-telling. And in The Knowing, it threads through stories, articles, and lived examples that illustrate how music shapes recovery and social change. While this branch is not involved in direct music-making, it helps illuminate why music is central to Voicelore’s mission.
Though music runs through everything we do, it is the survivors who remain at the heart. These programs are not therapy—but each one is shaped with care, grounded in boundaries, and guided by deep respect for autonomy and voice. Together, they offer a path for expression, connection, public storytelling, and truth-seeking—whether someone is healing quietly, advocating outwardly, or learning how to better support others. Voicelore exists to make space for all of it.
Donations and Fundraising
Donations will help keep all of Voicelore’s survivor-centered programs free of charge. Our yearlong support program, peer-led community space, advocacy branch, and informative resource platform will be sustained through a mix of in-kind support and financial contributions. While no one will ever be charged to participate, these offerings require time, tools, and care to remain safe, accessible, and responsive.
Your donation may help provide facilitator stipends, emotional support roles, survivor-facing equipment—such as microphones, noise-reducing headphones, or augmentative and alternative communication (AAC) devices—digital platforms, or outreach efforts that help us reach those who have been silenced or overlooked. Some funds may also support public-facing efforts, such as The Resounding or The Knowing, where allies may participate alongside survivors to help amplify survivor voices or expand public understanding of gender-based violence. We will reserve the ability to use donations where they are most needed to sustain and grow our trauma-informed, neurodiversity-affirming mission.
By supporting Voicelore, you will not be funding therapy or instruction. You will be making space for survivors’ voices—through music, reflection, storytelling, and connection. Every contribution will help us offer programming rooted in care, not critique—and ensure that what has been silenced can be heard.
Voicelore will raise funds to help all ages access trauma-informed, neurodiversity-affirming music education at our partner studio, Once Upon a Voice. Many students—especially those navigating trauma, disability, or systemic injustice—face barriers not only to instruction, but to the tools, experiences, and support systems that make full participation possible. While all scholarship and funding decisions are made by Once Upon a Voice, Voicelore will help expand access for students with financial need. Support will include full and partial scholarships, equipment such as microphones or MIDI keyboards, and creative opportunities that would otherwise be out of reach.
We will fund this work not just because music is powerful—but because it can heal and protect.
Studies on adult music learning show that active engagement in singing, instrumental study, or community music-making supports emotional well-being, identity development, and resilience. Adults in community choirs report increased self-efficacy, improved mood, and strengthened group identity (Hendry et al., 2022). Longitudinal research comparing adult singing classes to other adult education classes shows that group singing is associated with improved mental and physical health, life satisfaction, and faster social bonding (Pearce, Launay & Machin, 2016). Additional studies of young adults—ages 18 to 24—show that active music participation supports emotional regulation, identity formation, relaxation, and personal confidence (Bradford et al., 2021).
Research with young people mirrors these findings. Research shows that social-emotional learning in childhood reduces the risk of both experiencing and committing gender-based violence later in life (UNESCO, 2016). These programs help children build protective skills like self-awareness, empathy, boundary-setting, and communication—skills that reduce vulnerability to coercion and make it easier to recognize unsafe dynamics. Music education, especially in emotionally safe and affirming environments, supports these same outcomes. It strengthens emotional regulation, peer connection, and self-esteem (Hallam, 2010), and increases resilience and social competence, even among students facing marginalization (Rickard et al., 2013).
At Once Upon a Voice, students learn to recognize their voice as something worth protecting and connecting with. They practice naming emotions, setting creative boundaries, and expressing identity through music—experiences that not only foster confidence, but help guard against the isolation, confusion, and shame that perpetrators of abuse often exploit. These students are not just learning music. They are learning to take up space, speak up, and remain grounded in who they are.
By raising funds for this work, Voicelore will invest in a future where fewer young people grow up silenced, overlooked, or vulnerable to gender-based violence—and where adults who have already experienced harm can engage in music study that supports confidence, connection, and creative healing. Prevention begins not only with education, but with access, inclusion, and the unwavering belief that every voice deserves to be heard.
Our Sources on Healing and Prevention Through Music Education
Hendry, J., Hays, T., & McFerran, K. (2022).
Singing for Wellbeing: Formulating a Model for Community Singing Groups.
This qualitative study found that adults participating in a community choir experienced increased self-efficacy, positive emotion, social bonding, and a stronger sense of group identity.
Pearce, E., Launay, J., & Machin, A. (2016).
Is Group Singing Special? Health, Well-being and Social Bonds in Community-Based Adult Education Classes.
This longitudinal study showed that adult singing classes contributed to improved mental and physical health, greater life satisfaction, and faster social connection compared to non-singing adult education classes.
Bradford, N., Rickard, N. S., & Fancourt, D. (2021).
Active Music and Young Adult Well-being.
This study with adults aged 18–24 found that active music-making supports emotional regulation, identity development, relaxation, confidence, and positive self-expression through regular participation.
Global Guidance on Addressing School-Related Gender-Based Violence.
This report outlines how emotional literacy, communication skills, and safe learning environments reduce the risk of gender-based violence in young people.
The Power of Music: Its Impact on the Intellectual, Social and Personal Development of Children and Young People.
This literature review highlights how music education enhances emotional awareness, social connection, and personal agency—all protective factors against future harm.
Rickard, N. S., Appelman, P., James, R., Murphy, F., Gill, A., & Bambrick, C. (2013).
Orchestrating life skills: The effect of increased school-based music classes on children’s social competence and self-esteem.
This peer-reviewed study found that music participation significantly increased emotional regulation and self-worth in students aged 10–13.
Not yet. Voicelore is currently preparing to submit its application for 501(c)(3) tax-exempt status. Once the application is submitted, donations may become retroactively tax-deductible from the date of formation, depending on IRS approval. We will share updates as soon as donations can be accepted and whether they qualify for deduction.
Once we begin accepting donations, contributions will be used wherever they are most needed to support Voicelore’s survivor-centered mission. This flexibility allows us to respond to emerging needs, sustain free programs, and help students access trauma-informed, neurodiversity-affirming music education at Once Upon a Voice. Some donations may also support public-facing efforts—such as The Resounding or our informative resource branch, The Knowing—where allies may participate in service of amplifying survivor voices or improving public understanding of gender-based violence.
If you would like to give toward something specific—such as survivor equipment, student tools, or facilitator stipends—you are welcome to let us know. While we cannot guarantee restricted use of funds at this time, we will honor donor intent whenever possible and remain transparent about how contributions are used.
While Voicelore is not yet accepting donations, there are still ways to support our mission. You can share our work with others, follow our updates as programs launch, and help spread the word about our trauma-informed, neurodiversity-affirming approach. Your voice will help us reach survivors who may not yet know they are welcomed here.
Once we begin accepting contributions, we will clearly explain how to give and how your support will be used. Until then, we invite you to stand with us by staying connected, sharing our message, and believing in the power of voice to heal, connect, and protect.